- Joined
- Jul 18, 1998
- Messages
- 22,196
- Reaction score
- 45,733
Online
from the Washington Post. What a sad world this can be.
=========================================================
Jessica Valenti is one of the most successful and visible feminists of her generation. As a columnist for the Guardian, her face regularly appears on the site’s front page. She has written five books, one of which was adapted into a documentary, since founding the blog Feministing.com. She gives speeches all over the country. And she tells me that, because of the nonstop harassment that feminist writers face online, if she could start over, she might prefer to be completely anonymous. “I don’t know that I would do it under my real name,” she says she tells young women who are interested in writing about feminism. It’s “not just the physical safety concerns but the emotional ramifications” of constant, round-the-clock abuse.
This is a strange, contradictory moment for feminism. On one hand, there’s never been so much demand for feminist voices. Pop stars such as Beyoncé and Taylor Swift proudly don the feminist mantle, cheered on by online fans. After years when it was scorned by the mainstream press, the movement is an editorial obsession: Sheryl Sandberg’s “Lean In,” Lena Dunham’s “Not That Kind of Girl,” Roxane Gay’s “Bad Feminist” and Amy Poehler’s “Yes Please” occupy, and sometimes top, bestseller lists. “Stories about race and gender bias draw huge audiences, making identity politics a reliable profit center in a media industry beset by insecurity,” Jonathan Chait recently wrote in New York magazine — a proposition that would have been unthinkable a decade ago.
On the other hand, while digital media has amplified feminist voices, it has also extracted a steep psychic price. Women, urged to tell their stories, are being ferociously punished when they do. Some — particularly women who have the audacity to criticize sexism in the video-game world — have been driven from their homes or forced to cancel public appearances. Fake ads soliciting rough sex have been placed in their names. And, of course, the Twitter harassment never stops. “Being insulted and threatened online is part of my job,” Lindy West, formerly of Jezebel, recently said on “This American Life.” Adds Jamia Wilson, executive director of the feminist advocacy group Women, Action and the Media, “It really can affect the way that people feel about themselves.”
Feminists of the past faced angry critics, letters to the editor and even protests. But the incessant, violent, sneering, sexualized hatred their successors absorb is harder to escape. For women of color, racial abuse comes along with the sexism. “I have received racialized rape threats that I don’t think I would necessarily receive if I were white,” Wilson says. “A lot of things about anatomy — black women’s anatomy.” She talks about the online abuse in therapy. “There is trauma, especially related to the death and rape threats,” she says. Eventually, such sustained abuse ends up changing people — both how they live and how they work........................
Feminist writers are so besieged by online abuse that some have begun to retire - The Washington Post
=========================================================
Jessica Valenti is one of the most successful and visible feminists of her generation. As a columnist for the Guardian, her face regularly appears on the site’s front page. She has written five books, one of which was adapted into a documentary, since founding the blog Feministing.com. She gives speeches all over the country. And she tells me that, because of the nonstop harassment that feminist writers face online, if she could start over, she might prefer to be completely anonymous. “I don’t know that I would do it under my real name,” she says she tells young women who are interested in writing about feminism. It’s “not just the physical safety concerns but the emotional ramifications” of constant, round-the-clock abuse.
This is a strange, contradictory moment for feminism. On one hand, there’s never been so much demand for feminist voices. Pop stars such as Beyoncé and Taylor Swift proudly don the feminist mantle, cheered on by online fans. After years when it was scorned by the mainstream press, the movement is an editorial obsession: Sheryl Sandberg’s “Lean In,” Lena Dunham’s “Not That Kind of Girl,” Roxane Gay’s “Bad Feminist” and Amy Poehler’s “Yes Please” occupy, and sometimes top, bestseller lists. “Stories about race and gender bias draw huge audiences, making identity politics a reliable profit center in a media industry beset by insecurity,” Jonathan Chait recently wrote in New York magazine — a proposition that would have been unthinkable a decade ago.
On the other hand, while digital media has amplified feminist voices, it has also extracted a steep psychic price. Women, urged to tell their stories, are being ferociously punished when they do. Some — particularly women who have the audacity to criticize sexism in the video-game world — have been driven from their homes or forced to cancel public appearances. Fake ads soliciting rough sex have been placed in their names. And, of course, the Twitter harassment never stops. “Being insulted and threatened online is part of my job,” Lindy West, formerly of Jezebel, recently said on “This American Life.” Adds Jamia Wilson, executive director of the feminist advocacy group Women, Action and the Media, “It really can affect the way that people feel about themselves.”
Feminists of the past faced angry critics, letters to the editor and even protests. But the incessant, violent, sneering, sexualized hatred their successors absorb is harder to escape. For women of color, racial abuse comes along with the sexism. “I have received racialized rape threats that I don’t think I would necessarily receive if I were white,” Wilson says. “A lot of things about anatomy — black women’s anatomy.” She talks about the online abuse in therapy. “There is trauma, especially related to the death and rape threats,” she says. Eventually, such sustained abuse ends up changing people — both how they live and how they work........................
Feminist writers are so besieged by online abuse that some have begun to retire - The Washington Post
