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I'm a sucker for big band, swing, etc. And Christina does a great job with this one. Not that big on Pop, but sometimes, it's good.
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I'm a sucker for big band, swing, etc. And Christina does a great job with this one. Not that big on Pop, but sometimes, it's good.
That tooLike, with the country?
Face, I have a confession.
Hello, darkness, my old friend, I've come to talk to you again.
In the Sounds of Silence, in restless dreams I have walked alone,
Along the streets of cobblestone.
I have always viewed artists, musicians, bands, or even performers like Jethro Tull, Dylan, Beatles, Who, Rolling Stones and Simon and Garfunkel as being transcendent artists of their generation. But with some of them, their influence runs a lot deeper and wit, timelessness, originality and universal nature of their appeal, it's like you could picture Dylan, Simon or Garfunkel being successful or well-liked in any time period, whether it's as regional troubadour or wandering bards canvassing the English countryside singing in taverns, pubs during the Middle Ages. Folk music began there with its roots, lyrics, hymns, dirges centuries ago, in a very similar manner and culture that would create bluegrass, acoustic blues in post-Civil War Deep South, and later country. I could certainly envision songs like Sound of Silence, Scarborough Fair, or Bridge over Troubled Water being sung in 13-14th century, during late Middle Ages when European peasants, minor landed gentry, dissident clerics started raising questions about Vaticans control over liturgical rites, Bible not being allowed to be written or spoken in their own languages, as opposed to just Latin. Pamphlets criticizing or accusing the clergy of numerous abuses, ineffectiveness, too rigid, too controlling over ordinary people's lives.
I loved when swing came back for a while.
I totes have this on my playlist.