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Oddly, it seems that rap artists were the ones to figure out how to make the most money out of the system. Master P, Diddy, Jay Z, Em, Cash Money, etc. You gotta be an owner in music.
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They make up for it with the high priced concert tickets.
Does the high price of concert tickets justify being stolen from and what about people who no longer tour?
Exactly.
I mentioned all of this before in another thread. Ticket prices reflect the costs that go into putting the show on.
Next time at a concert, just look around at all of the work that goes into the show.
I just checked Frampton and $50 a ticket really isn't that bad.
The idea that the artist goes home with this money is false.
So out of the $50, what's your guess on how much Frampton ends up with, $5? $10?
Most of the bands you and I go to see spend about 2-3 years on the road per album release and the members bring in anywhere from 30,000-45,000 a year.
Those are the Successful bands that have formed in the last 20-30 years.
$30k-$45k per year?? I think you’re referring to supporting musicians who play concerts on the road with established bands, right? I mean, if lets say, youre one of the founding members of Coldplay or Nickelback or something, why would you even subject yourself to the rigors of touring for under $50k per year?
That said, ome of the members of Pete Yorn’s band lived in my apartment building circa the early 2000s.. he definitely wasn’t living a rock star lifestyle lol, but i dont think the band members (in that particular instance) were compensated on the level of Pete Yorn himself, so it wasn’t really a band, per se.... i’m pretty certain this guy was pulling in over $50k per year, and this was 20 yrs ago for a guy who only had one or two hits on the radio.
Who is Pete Yorn?
I can attest to this.Musicians always get hosed. The record studios, the promoters, and the venues eat all the money.
It's even worse for composers than players. At least players' agents only take 10% (after promoters, etc. have stolen the Lion's share). Publishing companies take 90%, giving the composer only 10% of the transaction of their music sales. It's a complete racket.